تداخل الفنون في الشعر العراقي (2000-2020م)، الفن التشكيلي اختيارا

Authors

  • أ.د. بشرى موسى صالح، م.م. عبّاس نجم عبيد

Abstract

This is a research drawn from a doctoral thesis in which I followed (stylistic transformations in Iraqi poetry from 2000 AD-2020 AD), and in one of its investigations I monitored the overlap of poetry with plastic art, and I stopped at the two most prominent patterns of overlap, namely: visual and linguistic poetic collage, and poetic painting, while collage  Poetic is a metaphor for the term and experimentation with its technique in the poetic body, through the process of cutting and pasting between two different materials in the structure of the Arabic poem, and visual collage is what is achieved visually through the collage technique, including affixing images, drawings and carvings of the poetic text, while linguistic collage is achieved by lending the poet a foreign language and pasting it  In the poetic text manuscript in Arabic tongue.  I also looked at the poetic painting, which is the process of producing an integrated painting through description or artistic treatment achieved in the painting poem.

 Keywords: (Iraqi poetry, collage, visual collage, linguistic collage, poetic painting.

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Published

2023-09-01 — Updated on 2023-09-02

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