Poetry and the sacred language The dialectic of the dominant texts

Authors

  • Prof. Dr. Firas Salah Abdullah Al-Attabi

DOI:

https://doi.org/10.47831/mjh.v3iخاص.845

Keywords:

Poetry, Language , Holy Language , Controversy of the dominant texts

Abstract

Each human has multiple tongues ; Each tongue is therefore able according to its rules to draw the artistic painting seeking beauty with a brush of letters, words and sentences with all the imaginations, ideas, and surprising abilities of these expressive tools to become a poet, it is the braid of form and content of the unison of creative style compounds that send glow in any written creation that moves the feelings of its writer from invisibility to creative clarity, it is the sound of the words of the creator on paper, which implements the soul feelings and imaginations to the outside, hence; poetry is a fluid material that takes the shape of its vessel , and (humans / tongues) with high expressive abilities in all their diversity and colors are the vessels that embrace this free material and give it its Arabic or foriegn form, and therefore the poetry a priori is not specific to a tongue excluding another , and every linguistic creativity draws literary superiority and agrees with our rules of poetry, although its language  differs and dialects vary.

Published

2025-06-24