Intellectual and cultural references

Abstract

The intellectual and cultural references in the pre-Islamic poem are considered ways of proving the pre-Islamic poet to express his abilities to assert himself, that he is the possessor of thought and will that is self-sufficient without the need for anyone to guide her in the paths of her poetic thinking, which she formulates in a way that is consistent with the visions and aspirations in which the pre-Islamic poet believes, and the features of The personality of the pre-Islamic poet is expressed through what comes from the passive self, which in its complex formations has an objective framework that has its own timing. To put the frequent emotional resurgence in giving poetry the syndrome of revealing the depths of the self and unlocking its secrets, that self framed by the tendencies of human experience. As an integral part of the formation of the self, the poet’s language returns to the meaning achieved by the connotation of emotion. Culture and ideas are the moral essence that the pre-Islamic poet believed in, and through it he was able to exercise his poetic creativity, in order to reveal his psychological being and his intellectual contents, which is an attempt to consolidate the relationship Which constitutes the text. The pre-Islamic poet lived his reality with all its impressions and details, which made him master of it. This is because life is an effect and a response, and on the basis of that, the pre-Islamic poet, in his cultural references, could build sensory images, in which he appeared to be a successful speaker of himself in the significance of presence and absence.